The 1176 can be very fast but typically too slow to get the very leading edge of the snare transient which can make it really pop thru, i am guessing thats what you are hearing. HOWEVER, its also going to bring up the leakage on the snare mic. gently used, this will shave off a little bit of the transient and effectively bring the body of the snare closer in volume to the transient of the snare. I was experimenting with the Slate VMR 76 clones. I only have plug-in for processing but lots of them. Im fairly happy with the raw sounds but wondering about the snare in particular. All I was trying to achieve was a little more sustain out of the y a little bit of fast attack fast release limiter (a limiter capable of a zero ms attack time). I just started goofing with some drum tracks I recorded a few weeks ago. I'm just trying to get a better understanding in general. I can get it if I try, but it seems more mellow. All I was trying to achieve was a little more sustain out of the snare.Īnyway, if I adjust to the fastest attack time, it's better, but actually the red compressor in the VMR seemed to treat it better and didn't give me that ear-cracking snap the others did. Neither MDC nor the manufacturer can assume liability for breakage. Available in three sizes, 76cm, 125cm and 165cm. The inner core of Snappy Snare is breakable so this product is recommended for non-aggressive animals only. I can get it if I try, but it seems more mellow. Releasing thumb pressure frees the noose which tightens instantly and safely around the animal providing temporary restraint. I recorded the snare with an Audix i5 into a Vintech 473 on top and a 57 going through a CAPI VP-28 on bottom.Īnyway, if I adjust to the fastest attack time, it's better, but actually the red compressor in the VMR seemed to treat it better and didn't give me that ear-cracking snap the others did. I didn't realize this could be a problem. Secondly, it seems like all the 76 clones give the snare too much attack. For one, I seem to notice it affecting the signal before I even get the threshold down to where it will make the meter move. I'm fairly happy with the raw sounds but wondering about the snare in particular. The Vintage Snappy Wires are only available in a 14” size, but I’d like to see them in maybe 13 and 15” as well as in the strand sizes.I just started goofing with some drum tracks I recorded a few weeks ago. In fact, they were pretty much sitting on the snare bed both sides. I checked that against some other random snares I have for comparison and I don’t think it was anything specifically to do with the Zelkova snare. Both pairs seemed to sit further across the head than most other wires I’ve come across. What I also noticed about these wires was how they sat on the shell. And, being made by Canopus, you know they’re well made. I liked the way they sounded and actually the way they looked too for me they had a vibe unique to them. Kami distributor pembuat snappy snare drum cajon 14-20strand/kawat smua ukuran10' 12' 13' 14' untuk pmsanan kontakWA: 082214709086 Barang READY. Gibraltar SC-363E Snare Wires Extended Split 14' (20x Strands) £ 28.00. Tama MS42R14S Snare Wires Carbon Steel 14' (42x Strands) £ 16.00. Tama MS20SN14B Snare Wires Starclassic Bell-Brass 14' (20x Strands) £ 17.00. With that in mind, you’ll have to excuse the fact that I tried both models on the same drum but I thought that would be easier to provide a consistent comparison.Īs you’ll hopefully hear, there is a noticeable difference between the two models – as indeed should be the case – with the 26 providing a more full sound with the 20 being a little tighter sounding. Snappy snare drum snappy cajon, Kota Bandung. PureSound B1420 Snappy Snares 14', 'Blaster' series, 20 wires. They are available in 20 and 26 strand versions – the 20 strand model for standard drums and the 26 for deeper drums. These wires are made of premium Japanese steel and are intended to make your snare sound more full and increase its tone. I only recently got that snare drum and I can absolutely promise that it was a massive coincidence that I happened to choose that drum to use. I didn’t realise that until I’d put the first set of wires on the drum. OK… so what? What you probably need to know at this point is that Vic Firth partnered with Canopus to create these wires. The drum in question is a Canopus Zelkova. Now, the reason I mention this is because of the snare drum I used for the test/video. The joys of having lots of things to review, I guess! So, while I was actually given these wires a good while ago, I hadn’t looked at them until the last few days.
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